The question of whether or not the film or its characters are actually good Marxists is not only not interesting, but also misguided, since we’re bound to get nowhere with such relationships of subordination: it is the coordination that we must look at instead. Godard doesn’t film “Marxists” or things whose meaning would be Marxism. He makes cinema with Marxism [...] The strength of the film is that it brings together cinema and Marxism by treating those two formulas as two different conceptions of art in general, and hence also of Marxist cinema. -- Jacques Rancière
用戶評(píng)論
當(dāng)山君咯
2025-05-11 04:57
陳秋秋chill
2025-05-12 12:42
退了退了
2025-05-12 02:53
她的面容
2025-05-12 06:45
大熊貓文太
2025-05-12 11:01